Anthropomorphic animals like this exaggeratedly rotund and massive Gorilla are central to Brett Murray’s work.

In Hard Drive, Wozniak achieves the delicate balance between playfulness and elegance, a tension he strives for in his work.

In his expressive sculptures, Lionel Smit focuses on the residents of Cape Town, South Africa, creating portraits both representational and abstract.

Shany van den Berg’s artwork is deeply tied to her autobiographical experience as a woman, mother and artist. Renowned for her technical acumen, subtle symbolism and agility to depict figuration and abstraction, she utilizes layers throughout her work.

Through symbolic crests and figures, the pole tells the story of the Kwakwaka’wakw ancestors.

Calvin Hunt works within the traditional Northwest Coast Kwagu’l style of totem pole making.

Throughout his long career, Kadishman has produced a wide range of sculptures, earthworks, performances and paintings informed by the long history of his country, Israel and inspired by his belief that “art grows from feelings and not rational calculations alone.”

For the shelter project at Alnoba, Wheeler drew from her experience at an artist residency program she attended in the wilderness of Northern Iceland.

Allan’s family’s story tells a painful chapter in our country’s history and his work honors his people’s strength and remarkable endurance.

On the field across from Nuria and Irma is the attenuated bronze called Smokejumper by Joseph Wheelwright. Wheelwright explained, “I start by looking for trees with bifurcated trunks.

At one time, the woodland in which Boulder House is now situated was cleared to make way for pasture.